In What was left behind, Emerson Pullman presents new paintings that orbit the unstable ground between memory and presence. This body of work is a reflection on transformation, on what is lost, what remains, and what continues to evolve. Pullman’s painting process itself mirrors this; layers of paint build and erode, decisions are made and undone, surfaces shift in and out of focus. Some marks stay, others disappear, each choice leaving its imprint on the canvas. 

Drawings from The Rosicrucian Papers of Sissarrad G. Balyanis an exhibition of anonymous works on paper, selected and mounted by Ian Whittlesea. The drawings originate from the private collection of engineer Sissarrad G. Balyan who, in the 1950s, was a member of the Rosicrucian order (AMORC) in California.

We watched the day grow older is the first solo exhibition of Welsh painter Lara Davies. The interplay between place, memory and personal history is central to Davies’ work. In the spring of 2023, the artist traced the length of the UK on her bicycle travelling from Land’s End to John o’Groats. She was inspired to embark on this trip by her late great-aunt Margie, who made the same journey on horseback in 1949, when she only just 24 years old.

Naxos is an exhibition of new paintings by Richard J. Butler, which were made in August 2024 while the artist was on residency at La Chapelle Saint-Antoine in Naxos, Greece. These works were inspired by the landscape that surrounded him on the island, as well as by the Yorkshire landscape that he grew up with.

Sculptures, 2014–2024 is the first exhibition to span ten years of William Cobbing’s sculptural practice. This exhibition is organised in conjunction with the artist’s new public commission for The Art Block at Selfridges London, which is on view from January to October 2025.

Twenty-six days a year is the first exhibition to examine the theme of waiting within the work of Thomas Cameron (b. 1992, UK). Combining the language of vernacular photography with the tactility of oil paint, Cameron's work is characterised by figurative paintings depicting everyday scenes of people in the city. The exhibition focuses on subjects depicted in moments of waiting and captures the understated moments in life, often spent alone and almost immediately forgotten.

What shall I take with me? is the first presentation dedicated to the monotype prints by Mexican artist duo Celeste (María Fernanda Camarena and Gabriel Rosas Alemán). This exhibition is organised in conjunction with Celeste’s first institutional show in the UK, which opens at the Royal Society of Sculptors in London this October.

We are pleased to participate in this year's Eye of the Collector, a unique fair that offers a curated presentation of art and design in dialogue with beautiful architectural surroundings. We are presenting artworks by Charlotte Beaudry, Thomas Cameron and Dan Rees at the fair, which takes place at the beautiful Grade II listed Garrison Chapel, a deconsecrated church in Chelsea, London. 

Pourquoi London is a collaborative exhibition between Gertrude and Canopy Collections. For the past few years, both platforms have been championing alternative models to democratise the art industry and support emerging artists in a fast-changing art world. Set against the backdrop of an exceptional Grade-II listed building in the heart of Spitalfields, this exhibition showcases a curated cross section of some of the most compelling artists operating across both platforms.

Curated in an enchanting house in Primrose Hill, Hidden in Plain Sight is a collection of over thirty paintings and works on paper that examine the relationship between representation and meaning, between what is made visible and what remains concealed.

Full House is an exhibition of new works by twenty-two international artists ranging from the emerging to some of the most established names in the contemporary art world. A broad diversity of expressions, backgrounds and aesthetics unite here under one roof to represent the inclusive artistic approach that has been the focus of Canopy Collections for the past three years. 

Curated in an elegant townhouse in Chelsea, No More Lonely Nights embraces summer’s lightheartedness, abundance and playfulness with a selection of over thirty artworks by fourteen artists.

Taking place during London Craft Week, For Nothing is Simply One Thing brings together the work of international artists who celebrate, bend and embrace traditional craft techniques. From sculptural ceramics and glass pieces to richly textured paintings and works on paper, the artworks on display call upon disciplines usually associated with craft practices to highlight the ongoing dialogue between fine art and the decorative arts. 

Charlotte Beaudry | Me is the first solo show in the UK of renowned Belgian painter Charlotte Beaudry (b. 1968). Opening on International Women's Day, the exhibition brings together a selection of twenty paintings spanning the past fifteen years of her pratice. This show aims to provide a glimpse into Beaudry's unique world and celebrate a nuanced view of the female experience.

A Portable Landscape is the first solo show in the UK of Mexico-based artust duo Celeste. The exhibition brings together a selection of textile and copper works by María Fernanda Camarena and Gabriel Rosas Alemán, including a seven-metre-wide triptych, which have never before been shown in Europe.

Artworks by Celeste are available online and on a commission-basis. 

Presenting a selection of over thirty artworks, the exhibition reveals a rich variety of techniques that have been explored through contemporary ceramics and works on paper. From monotype prints, watercolours and preparatory sketches to ceramic art objects and porcelain sculptures, the works on display capture each of the artists’ unique aesthetics and visual languages when working in such art forms.

Taking place at Cromwell Place in London, All The Lives We Ever Lived is an exhibition that focuses on representations of the everyday in relation to personal memory. The paintings on show depict familiar occurrences that blur the boundary between reality and fantasy. Celebrating a holistic view of everyday life, these artworks shine a light on quotidian moments of pleasure from the dull to the grandiose, all of which are treated with equal importance by the artists.

Curated in collaboration with Modernity London, this intimate display brings together over thirty unique artworks by ten rising artists, along with a selection of rare Nordic furniture. Touching upon the themes of love, friendship and memory, the selection conveys a dreamy atmosphere, filled with romantic references, strange yet familiar at the same time.

Objects of art are said to be a language, they speak to us in their own way with, or without, the use of words. Displayed and photographed in a Parisian apartment, Words Don’t Come Easy brings together eight contemporary artists, with an emphasis on language and conceptual practices. 

Hosted by the Van Gogh House in London, Until the Walls Became the World All Around features over forty works by nine artists and embraces our yearning for change, hope and new dreams. 

Do Not Swear by the Moon pays tribute to the home as an inspirational space, the cosiest of all refuges. Photographed in a collector’s flat on Cadogan Place, it presents over fifty artworks and design pieces by twelve contemporary artists.

Entitled Living Well is the Best Revenge, Canopy Collections’ inaugural collection is a celebration of art and life. It presents over forty colourful and bold artworks, photographed in an artist’s home in Camden, London.